Seth has already told us that the universe rises out of “cubes within cubes” in a universe made up of “a myriad of interconnecting wires, constantly trembling.” As stated, this is literally identical to superstring theory, which also discusses cubes within cubes as “hypercubes,” and builds the universe on a matrix of interconnecting strings that vibrate. These shapes, as previous chapters have indicated, are a series of “perfect” geometric solids that all fit within the sphere, and have a growth sequence that fits into the octave pattern, according to the Vedic model of Purusha and Prakriti. Having established that, we come up again to the geometric shapes themselves. Kaku then explained that the harmonic of three sets of eight could be compressed down into one set of eight, which would then represent a single octave. In the previous chapter, we indicated that Ramanujan’s function is based on 24, or three times eight.
Similarly, the vibrations of the densities must conform themselves to this same octave system that is indicated by Ramanujan’s function, since they are composed of a fluidlike energy source. In other words, a vibrating guitar string can make notes all throughout the spectrum of an octave, but it can never go outside of an octave framework if the vibratory pitch was moved higher, such as by reaching double its original value in cycles per second, then the pitch would simply enter into a higher octave, but essentially sound the same. In hindsight, it appears that this numerology is, in fact, sitting right in front of Kaku’s face, as he mentions “the vibrations of a string.”
The numerology Kaku was speaking of is the widespread occurrence of the number 8 in Ramanujan’s physics equations, which are used to map out higher dimensions. Michio Kaku’s quote: “It’s as though there is some kind of deep numerology being manifested in these functions that no one understands.” In the previous chapter, we discussed how “Superstring Theory” and the physics of Tony Smith both match up with the idea of an Octave of dimensions, with the Platonic Solids underlying them. We then explore how archetypes and CUs are related. The result is a guided tour through a set of metaphysical ideas that most people have never considered before. The metaphysical properties of the CU are explained by Seth in careful detail. What we find is an in-depth study of the Consciousness Unit. This chapter is a direct excerpt from the end portions of “The Seth Material,” the original debut of Jane Roberts’ channeling efforts in 1971.
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